This is the latest panel to Erinys And The Seer, and it is a transition scene to a major, key panel for Zeus. As will become apparent, all of the Greek gods in the opening act are depicted in a skewed or distorted lens, which allows the audience to sense something is fundamentally wrong. At the same time, a level of importance should be levied upon certain characters, especially Zeus, so I elected to distort and organize the image with the Golden Ratio as a reference point. This gives the viewer a sense of depth, but also the desired feeling of something being off. In contrast, images of Calvera and Teiresias in this scene are largely linear, threatening, or imposing.